Welcome to
The Gate Theater Group
Northern Thailand's First English-language theater company
The gate theater announces
the 2019/ 2020 season!
|
The First Annual Chiang Mai Fringe Festival Was A Resounding Success! Thanks to all the performers from near and far and The EXIT Theatre of San Francisco for their sponsorship!
|
|
Coming To The Gate This February
February 27 through March 1
Harvey
Elwood P. Dowd is an endlessly pleasant and delightfully eccentric bachelor living in a small town that isn't quite aware that its newest citizen is an invisible, 6 foot 3 inch white rabbit named "Harvey," that only certain people can see.
It is a spring afternoon at the Dowd family home, and a tea party for the high-society ladies of the Wednesday Forum is in full swing. The hostess, Veta Louise Simmons, is hoping that the event will allow her daughter, Myrtle Mae, now in her twenties and still unmarried, to mingle with the mothers and grandmothers of some of the town's remaining eligible bachelors. However, to Veta's horror, her brother, Elwood, arrives home unexpectedly and in the company of his closest friend, Harvey. Veta and Myrtle Mae are mortified as Elwood begins introducing his companion to the ladies of the Wednesday Forum. The embarrassing family secret is now exposed, and all that Veta and Myrtle Mae can do is watch helplessly as their guests flee the house.
This 1944 Pulitzer Prize Winning play has something for the entire family!
Harvey
Elwood P. Dowd is an endlessly pleasant and delightfully eccentric bachelor living in a small town that isn't quite aware that its newest citizen is an invisible, 6 foot 3 inch white rabbit named "Harvey," that only certain people can see.
It is a spring afternoon at the Dowd family home, and a tea party for the high-society ladies of the Wednesday Forum is in full swing. The hostess, Veta Louise Simmons, is hoping that the event will allow her daughter, Myrtle Mae, now in her twenties and still unmarried, to mingle with the mothers and grandmothers of some of the town's remaining eligible bachelors. However, to Veta's horror, her brother, Elwood, arrives home unexpectedly and in the company of his closest friend, Harvey. Veta and Myrtle Mae are mortified as Elwood begins introducing his companion to the ladies of the Wednesday Forum. The embarrassing family secret is now exposed, and all that Veta and Myrtle Mae can do is watch helplessly as their guests flee the house.
This 1944 Pulitzer Prize Winning play has something for the entire family!
“Harvey” Dinner Theatre Package
The Gate Theater, in conjunction with Pern’s Bistro, will offer our second dinner theatre production with our season closing production of “Harvey” by Mary Chase.
The evening will feature another delightful three course meal before the Saturday, February 29th performance. Dinner starts at 5:30 PM at Pern’s which is a just a quick walk from the theatre. The performance starts at 7:00 pm. Tickets for this performance can only be purchased directly from Pern’s Bistro. Seating is limited so don’t wait! Telephone 0861117766 to book your evening.
A portion of your ticket price will go towards a new permanent home for The Gate Theater!
Have a look at the mouth-watering menu.
The Gate Theater, in conjunction with Pern’s Bistro, will offer our second dinner theatre production with our season closing production of “Harvey” by Mary Chase.
The evening will feature another delightful three course meal before the Saturday, February 29th performance. Dinner starts at 5:30 PM at Pern’s which is a just a quick walk from the theatre. The performance starts at 7:00 pm. Tickets for this performance can only be purchased directly from Pern’s Bistro. Seating is limited so don’t wait! Telephone 0861117766 to book your evening.
A portion of your ticket price will go towards a new permanent home for The Gate Theater!
Have a look at the mouth-watering menu.
|
Coming December 12 through 15
An Inspector Calls An Inspector Calls by J B Priestley, is a play that revolves around the apparent suicide of a young woman called Eva Smith. In the play, the unsuspecting Birling family are visited by the mysterious Inspector Goole. He arrives just as they are celebrating the engagement of Sheila Birling to Gerald Croft. The Inspector reveals that a girl called Eva Smith has taken her own life by drinking disinfectant. The family are horrified but initially confused as to why the Inspector has called to see them. What follows is a tense and uncomfortable investigation by an all-knowing Inspector through which the family discover that they are all in fact caught up in this poor girl's death. This production is being made possible by Lana Lawyers and Babseacle. Tickets for opening night, Thursday, December 12th, are limited. Please call ahead. You may be asked to wait until 7:00 pm to be seated. Buy Tickets Here |
Just Added To The 2010/2019 Season
Driving Miss Daisy
THE STORY:
The place is the Deep South, the time 1948, just prior to the civil rights movement. Having recently demolished another car, Daisy Werthan, a rich, sharp-tongued Jewish widow of seventy-two, is informed by her son, Boolie that henceforth she must rely on the services of a chauffeur. The person he hires for the job is a thoughtful, unemployed black man, Hoke, whom Miss Daisy immediately regards with disdain and who, in turn, is not impressed with his employer's patronizing tone and, he believes, her latent prejudice. But, in a series of absorbing scenes spanning twenty-five years, the two, despite their mutual differences, grow ever closer to, and more dependent on, each other, until, eventually, they become almost a couple. Slowly and steadily the dignified, good-natured Hoke breaks down the stern defenses of the ornery old lady, as she teaches him to read and write and, in a gesture of good will and shared concern, invites him to join her at a banquet in honor of Martin Luther King, Jr. As the play ends Hoke has a final visit with Miss Daisy, now ninety-seven and confined to a nursing home, and while it is evident that a vestige of her fierce independence and sense of position still remain, it is also movingly clear that they have both come to realize they have more in common than they ever believed possible—and that times and circumstances would ever allow them to publicly admit.
Winner of the 1988 Pulitzer Prize and the Outer Critics Circle Award for Best Off-Broadway Play. A warm-hearted, humorous and affecting study of the unlikely relationship between an aging, crotchety white Southern lady, and a proud, soft-spoken black man. A long-run Off-Broadway success and an Academy Award-winning film. "The play is sweet without being mawkish, ameliorative, without being sanctimonious." —NY Times. "…a perfectly poised and shaped miniature on the odd-couple theme." —NY Post. "Playwrights Horizons has a winner in this one…gives off a warm glow of humane affirmation." —Variety. "DRIVING MISS DAISY is a total delight." —NY Daily News.
The place is the Deep South, the time 1948, just prior to the civil rights movement. Having recently demolished another car, Daisy Werthan, a rich, sharp-tongued Jewish widow of seventy-two, is informed by her son, Boolie that henceforth she must rely on the services of a chauffeur. The person he hires for the job is a thoughtful, unemployed black man, Hoke, whom Miss Daisy immediately regards with disdain and who, in turn, is not impressed with his employer's patronizing tone and, he believes, her latent prejudice. But, in a series of absorbing scenes spanning twenty-five years, the two, despite their mutual differences, grow ever closer to, and more dependent on, each other, until, eventually, they become almost a couple. Slowly and steadily the dignified, good-natured Hoke breaks down the stern defenses of the ornery old lady, as she teaches him to read and write and, in a gesture of good will and shared concern, invites him to join her at a banquet in honor of Martin Luther King, Jr. As the play ends Hoke has a final visit with Miss Daisy, now ninety-seven and confined to a nursing home, and while it is evident that a vestige of her fierce independence and sense of position still remain, it is also movingly clear that they have both come to realize they have more in common than they ever believed possible—and that times and circumstances would ever allow them to publicly admit.
Winner of the 1988 Pulitzer Prize and the Outer Critics Circle Award for Best Off-Broadway Play. A warm-hearted, humorous and affecting study of the unlikely relationship between an aging, crotchety white Southern lady, and a proud, soft-spoken black man. A long-run Off-Broadway success and an Academy Award-winning film. "The play is sweet without being mawkish, ameliorative, without being sanctimonious." —NY Times. "…a perfectly poised and shaped miniature on the odd-couple theme." —NY Post. "Playwrights Horizons has a winner in this one…gives off a warm glow of humane affirmation." —Variety. "DRIVING MISS DAISY is a total delight." —NY Daily News.
