Welcome to
The Gate Theater Group
Northern Thailand's First English-language theater company
The gate theater announces
the 2019/ 2020 season!
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October 2019 marks the beginning of the 12th season for The Gate Theater, Chiang Mai’s first English language theater company.
The season will open on October 24 with Chiang Mai’s first annual Chiang Mai Fringe Festival of Performing Arts. Co-produced with the EXIT Theatre of San Francisco, the festival will be held at the KAD Studio Theatre and selected satellite locations nearby. The festival will run from October 24-27 from 12:00 pm until 9:30 pm each day. Applications will be accepted using a “first come, first served” selection process, so it is advisable that all applicants get their applications turned in as early as possible to be among those selected in this process. Applications are being accepted via this link until September 1st. Scroll down for more information about performing at the festival. For more information about the festival please write to gatetheater@gmail.com or phone 087 177 2195. |
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Coming December 12 through 15
An Inspector Calls An Inspector Calls by J B Priestley, is a play that revolves around the apparent suicide of a young woman called Eva Smith. In the play, the unsuspecting Birling family are visited by the mysterious Inspector Goole. He arrives just as they are celebrating the engagement of Sheila Birling to Gerald Croft. The Inspector reveals that a girl called Eva Smith has taken her own life by drinking disinfectant. The family are horrified but initially confused as to why the Inspector has called to see them. What follows is a tense and uncomfortable investigation by an all-knowing Inspector through which the family discover that they are all in fact caught up in this poor girl's death. |
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February 27 through March 1
Harvey Elwood P. Dowd is an endlessly pleasant and delightfully eccentric bachelor living in a small town that isn't quite aware that its newest citizen is an invisible, 6 foot 3 inch white rabbit named "Harvey," that only certain people can see. It is a spring afternoon at the Dowd family home, and a tea party for the high-society ladies of the Wednesday Forum is in full swing. The hostess, Veta Louise Simmons, is hoping that the event will allow her daughter, Myrtle Mae, now in her twenties and still unmarried, to mingle with the mothers and grandmothers of some of the town's remaining eligible bachelors. However, to Veta's horror, her brother, Elwood, arrives home unexpectedly and in the company of his closest friend, Harvey. Veta and Myrtle Mae are mortified as Elwood begins introducing his companion to the ladies of the Wednesday Forum. The embarrassing family secret is now exposed, and all that Veta and Myrtle Mae can do is watch helplessly as their guests flee the house. This 1944 Pulitzer Prize Winning play has something for the entire family! |
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The EXIT Theatre of San Francisco along with The Gate Theater Group of Chiang Mai will present Chiang Mai’s first annual Festival for the Performing Arts at the KAD Studio Theatre and selected satellite locations nearby. The festival will run from October 24-27 from 12:00 pm until 9:30 pm each day. Applications will be accepted using a “first come, first served” selection process, so it is advisable that all applicants get their applications turned in as early as possible to be among those selected in this process. Applications are being accepted via this link until September 1st. In the event of an overflow of artists, we will use a lottery system to decide which performers will be featured.
Performers in the Fringe Festival receive two or more 60 minute performance slots. Additional performance slots may become available depending upon the number of performers who apply. The slots include limited technical support for lighting and sound and front of house staff. In order to help cover this service, applicants will be charged a 700 baht application fee and a 300 baht performance fee if they are selected to perform in the festival.
Performers or groups will choose their own ticket price of up to 400 baht and receive 100% of that amount paid to them. In the event that performers don’t hold a valid work permit, they must work with a Thai representative.
The Chiang Mai Fringe Festival is proudly open to a wide range of performers and groups of artists working independently in traditional forms as well as outside traditional forms. All performance styles are encouraged, from the avant-garde to the family friendly. Traditional and street theater, storytelling, dance/movement, experimental music, video/film, performance art, poetry, puppetry, comedy and improv, art installations, circus and cabaret.
Good luck to all of our performers! We can’t wait to see what you have planned for Chiang Mai’s first annual Fringe Festival for the performing arts!
FRINGE 101
A message from the CM Fringe Production Manager
Fringe Performers, Cast and Crew should read this carefully and often.
1. It’s never too early to GET ON Fringe Time. You are guaranteed 15 minutes for load in, 15 for load out. You cannot NEED more. If you are fortunate enough to get more – even once – well then… hoorah.
3. Your show must end on time. You have a 60 minute time slot and if your show runs over 59 minutes and 60 seconds, your Festival provided technician is given the responsibility to cut the stage lights and/or open the house. You can end early but you must not run over your allotted time, even by a minute. Please make sure to time your show before you reach the festival.
4. You MUST provide your own stage manager (different from the Fringe provided technician outlined in #5 below) so that tragedies such as those hinted at above do not become issues. You may ask, “Do I have to provide my own S.M.? (my show is very simple/I’m coming from Bulgaria/I can’t find anyone who’ll work for free/etc.)”. I understand your concerns, but it is very important to have someone committed to your show, other than you. If you are concerned about providing a stage manager, please talk to me early and we will come up with the best solution together.
5. The Fringe provides you with ONE technician. This person is responsible for operating your lights unless you make prior arrangements with me. That is where their job description ends. Any other operators (i.e. SOUND, PROJECTIONS) are supplied by YOU. You will most often find that (while I don’t advocate that you EXPECT this) the technician will be more than willing to pitch in wherever needed. Appreciate this. In terms of time, technicians are only called (and expected) for the specific time period of your tech slot and for the time period from one half hour before to the end of your performances (barring disaster, your production will have the same technician for rehearsal and ALL shows). Any additional time is outside of their job requirements. In terms of responsibilities, a technician is only required by the Festival to make sure all tech equipment is working correctly at the beginning of their shift, serve as board operator, for their specific shows, and report any equipment problems to me at the end of each shift. Everything else should be considered your responsibility (though, again, it will not hurt you to ask for assistance if needed).
6. You will be loading in/out EN VISTA. This means, when your show ends, your audience goes out and the next comes in. The house will NEVER be closed between performances. You will be loading your set in and out in front of an open house. There is no “holding of the house.” Please don’t ask. Many of you will likely be seeing the load-in path (and its limitations) for the first time at your tech. Realize this when thinking about “set” elements. And remember, there will be shows loading in and shows loading out, all using the same hallway, in the 30 minutes between shows. So having a set with a couch, a bed, and a refrigerator is probably not a good idea.
7. You should look at your venue Info and specs thoroughly, consider all technical elements, and ask me every question you have… Seriously… PARTICULARLY if you have any doubt that the venue can support your plan in its current state. If you show up with a surprise… well, just please don’t. Say, for example that you show up with …
8. …a small elephant that you’d like to store, you must contact me by well before you are scheduled to tech. If you don’t, it may well be too late to do anything once you’re in the performance space.
9. Speaking of getting there, your tech rehearsal is just 2.5 hours. Plan accordingly, eh? In the time provided, you’ll be checking in with me (for about 20 minutes), practicing your load in/out, learning the space and building/running ALL light/sound/etc. cues. It’s a lot to do, but it can be done – regularly, in fact – when planned. Sometimes that isn’t the case. Perhaps you’ve seen shows like that?
10. And to HELP you in this endeavor, you are LIMITED to 20 Light Cues and 30 Sound Cues. If you try and test this, someone is sure to wind up in a sobbing puddle on the floor. Yuck.
11. Due to all the variables, Tech Schedules will be determined and communicated by October 14th. Note – All technical rehearsals will take place between October 17th and 22nd. Plan on EVERYONE involved with your show to be present at the tech rehearsal. Plan on having all set elements and props at the tech rehearsal. Please let me know if you will be missing people and/or technical elements at your tech rehearsal, in advance. I will not allow things that haven’t been teched to be added in the 15 minute load-in. I promise to work as hard as I can to accommodate all of your scheduling needs. Those that get their tech form into me quickly will be more likely to get requested tech time.)
12. You must bring 2 extra copies of your script (preferably marked) to the tech rehearsal. One is specifically for your technician, one is a back-up. If you can only bring ONE, MAKE SURE you do. If you do not, who knows what you’ll get when it comes time to perform. For those of you who do not have a traditional script please bring as much information about your show as possible. (i.e. set list and/or a general outline of show)
13. Your light plot will be basic but adequate for a decent number of looks. I will provide you with specific lighting information upon request.
14. The Gate does have a few furniture pieces and props that can be used for your show. We will be able to help you out with a chair or two and/or a table and perhaps some hand props. You must ask me in advance if you would like to borrow anything. If you need a piano, or other music instrument that is your responsibility and it will need to be loaded in and out for each performance.
15. If you are bringing a computer to run your sound it is STRONGLY RECOMMENDED that you also being a back-up in case your computer malfunctions.
16. The fire policy is as follows – No Fire. If we have a performance involving fire we may be able to accommodate it in a different venue.
17. Tours and rehearsals are available between October 15 and 18 from 5:00 pm to 7:00 pm. As always, catching a show is a great opportunity to see your space in action. There should be a performance taking place in the studio from October 10 through 13. Please realize that what you see during the performance may not be exactly what you will see when you walk in for your tech.
18. You have to turn in your Tech form by October 16. The form asks some basic questions about your show. It will also asks for your preferred tech time. This will give me time to answer and address any questions you may have about tech. I don’t expect you to have all the answers to all of my questions. I would just like to start the conversations.
That’s it for now. If I’m forgetting something, I will know where to find you. And you, me.
Stephan Turner
Production Manager of the CM Fringe
Gatetheater@gmail.com (Please be sure to put my name, Stephan, in the subject line)
0871772195
