"Hangman"
A GATE THEATER HOME RUN!!!
M. Fredrickson
On last Saturday evening 30 December The Gate Theater brought down the curtain on the third and final performance of their annual Access to Justice production. If we're very fortunate The Gate will bring it back in the future for an encore performance!
The play - "Hangman", is a taunt, deliberate look at the judicial system which questions is Lady Justice blind by turning a trial verdict over to the audience. The question - Is Mary Beth guilty of cold blooded murder or did she act in self defense when she shot her husband while he was sleeping? Bound by the Rule of Law as well as the Judges rulings prior to deliberations can a verdict be only black or white? That was left to me and the rest of the audience... And it all made for a wonderful, thoughtful interactive evening of live theater here in Chiang Mai!
The cast was superb with Wesley Perkins as Prosecutor, Pamela Teves in a role she appeared to be born to as Defense Attorney and newcomer Lisa Denmark as a very believable defendant who's life is laid bare when she is questioned on the witness stand.
I began to realize during intermission that my reaction to the 1st Act wasn't a personal snap judgement of the production as I eavesdropped on many of the conversations going on in the lobby and car park. I don't think I have ever in all my years attending Gate Theater listened to such thought provoking intermission discourse. It wasn't the usual "Where should we go for some dinner or drinks when we leave? " ...but "I don't care what the judge ruled!! This can't be guilty or not guilty! This isn't just black or white... Sometimes there are grey areas!"
Intermission over. Time for Act 2..We were introduced to the jury. Five women and one lone male juror all wonderfully playing random people called for jury duty. All from different backgrounds and personalities and life experience. And all trying to reach a unanimous decision and not come to blows while doing so. Oscar William Raven, Barbara A.. K. Franklin, Alex Oberheinrich, Nami Bates, Queen Victoria Kavannaugh and Somporn Sonthiporn as jurors, had the audience softly laughing, almost in tears, nodding our collective heads and gasping for breath as they reached their "Stage Verdect"...Hung jury!!
In addition, we were treated to Suman C. Tharan with microphone in hand offering breezy radio and in person news coverage of the trial during courtroom sidebars and jury deliberations. The radio "call in audience" giving a humorous little lift to the gravity of the situation.
And then the verdict was turned over to all of us... The audience.
I'm not going to tell you what the final verdict was... But I will say that with Stephan Turner's cast selection and brilliant directing as well as the amazing script I and almost 99% of the audience left the theater last night having had live theater do exactly what it's supposed to do. Entertain us of course. But really good theater makes us stop, think, learn and hopefully open up discussions about our society, the human condition, change and so much more.
Congratulations Gate Theater... You hit a home run out of the ballpark with this production!
M. Fredrickson
On last Saturday evening 30 December The Gate Theater brought down the curtain on the third and final performance of their annual Access to Justice production. If we're very fortunate The Gate will bring it back in the future for an encore performance!
The play - "Hangman", is a taunt, deliberate look at the judicial system which questions is Lady Justice blind by turning a trial verdict over to the audience. The question - Is Mary Beth guilty of cold blooded murder or did she act in self defense when she shot her husband while he was sleeping? Bound by the Rule of Law as well as the Judges rulings prior to deliberations can a verdict be only black or white? That was left to me and the rest of the audience... And it all made for a wonderful, thoughtful interactive evening of live theater here in Chiang Mai!
The cast was superb with Wesley Perkins as Prosecutor, Pamela Teves in a role she appeared to be born to as Defense Attorney and newcomer Lisa Denmark as a very believable defendant who's life is laid bare when she is questioned on the witness stand.
I began to realize during intermission that my reaction to the 1st Act wasn't a personal snap judgement of the production as I eavesdropped on many of the conversations going on in the lobby and car park. I don't think I have ever in all my years attending Gate Theater listened to such thought provoking intermission discourse. It wasn't the usual "Where should we go for some dinner or drinks when we leave? " ...but "I don't care what the judge ruled!! This can't be guilty or not guilty! This isn't just black or white... Sometimes there are grey areas!"
Intermission over. Time for Act 2..We were introduced to the jury. Five women and one lone male juror all wonderfully playing random people called for jury duty. All from different backgrounds and personalities and life experience. And all trying to reach a unanimous decision and not come to blows while doing so. Oscar William Raven, Barbara A.. K. Franklin, Alex Oberheinrich, Nami Bates, Queen Victoria Kavannaugh and Somporn Sonthiporn as jurors, had the audience softly laughing, almost in tears, nodding our collective heads and gasping for breath as they reached their "Stage Verdect"...Hung jury!!
In addition, we were treated to Suman C. Tharan with microphone in hand offering breezy radio and in person news coverage of the trial during courtroom sidebars and jury deliberations. The radio "call in audience" giving a humorous little lift to the gravity of the situation.
And then the verdict was turned over to all of us... The audience.
I'm not going to tell you what the final verdict was... But I will say that with Stephan Turner's cast selection and brilliant directing as well as the amazing script I and almost 99% of the audience left the theater last night having had live theater do exactly what it's supposed to do. Entertain us of course. But really good theater makes us stop, think, learn and hopefully open up discussions about our society, the human condition, change and so much more.
Congratulations Gate Theater... You hit a home run out of the ballpark with this production!
HANGMAN
A Riveting Theatrical Triumph
by Roy Mark
HANGMAN, a theatrical marvel written by A. W. Richardson, Esq., and skillfully
directed by Stephan Turner, unfolds its gripping narrative within the walls of the
AUA Language School Theater in Chiang Mai. The play's first act, set in the fiery
courtroom of Judge Cromwell (Bernie Miller), introduces a complex web of
characters and animosities that sets the stage for an enthralling evening.
The conflict between Prosecutor Brad Simmons, played with intensity by Wesley
Perkins, and the expertly portrayed defense attorney, Sarah Martin Davies
(Pamela Teves), creates an electric atmosphere in the courtroom. Judge Cromwell
attempts to maintain order amidst the brewing storm, showcasing the
intricate dynamics at play.
The stakes are undeniably high in HANGMAN, pivoting on the freedom of Mary
Beth, masterfully portrayed by Lisa Denmark. Accused of a brutal execution-style
slaying of her husband, Mary Beth becomes the central figure in this gripping
courtroom drama. On the witness stand, Mary Beth initially presents herself as a
meek and timid lady—speaking so softly it was difficult to discern what was said--
an impression that lingers throughout the courtroom. However, in moments of
intensity, subtle bursts of anger emerge, hinting at an unexplored and potentially
volatile side of her character.
The defense, led by Sarah Martin Davies, navigates the legal landscape with
finesse, using a "blame the victim" defense to counter the limitations imposed by
state law prohibiting a “Battered Wife” defense.
The second act unfolds in the jury room, a pressure cooker of conflicting opinions
and personalities. Oscar William Raven's masterful portrayal of juror Peter
Townsend adds a layer of tension, clashing with the formidable Jean (Alex
Oberheinrich). The dynamics among the jurors, skillfully led by foreman Mrs.
Robert “Aubry” Woodbine (Barbara A.K. Franklin), unfold with a blend of humor
and intensity.
Nami Bates' performance as Francine Laduke is particularly noteworthy,
seamlessly transitioning from a seemingly insignificant juror to a pivotal
character with a powerful revelation about her personal struggles. The
emotional depth portrayed by Ms. Bates is a testament to her acting prowess.
to cast their verdict. The entire cast, including standout performances by Wesley
In a bold twist, the play concludes without a jury decision, allowing the audience
to cast their verdict. The entire cast, including standout performances by Wesley
Perkins, Pamela Teves, Alex Oberheinrich, and Barbara A.K. Franklin, receives a
well-deserved standing ovation.
A special acknowledgment is reserved for Oscar William Raven, whose portrayal
of juror Peter Townsend reached the caliber of a Leonardo DiCaprio.
Raven's performance showcased his acting prowess and drew parallels with the
talent and charisma reminiscent of DiCaprio's younger days. It's a testament to
Raven's skill that his presence on stage left a memorable impact.
The collective excellence of these standout performances, combined with
the meticulous direction of Stephan Turner, underscores the richness of the
theatrical arts in Chiang Mai. The standing ovation was not just a mark of
appreciation but a genuine recognition of the exceptional talents that graced the
stage.
Director Stephan Turner's unseen contributions, from lighting to set
design, underscore his pivotal role in the success of HANGMAN. The
production is a testament to the wealth of talent within Chiang Mai's
English-speaking acting community.
In conclusion, HANGMAN is a theatrical masterpiece, leaving audiences with
a plethora of superlatives—outstanding, masterful, magnificent. The play
delivers an enjoyable evening at the theater, showcasing the remarkable talents
of the cast and the visionary direction of Stephan Turner. Chiang Mai is
fortunate to have such a gem in its vibrant arts scene.
A Riveting Theatrical Triumph
by Roy Mark
HANGMAN, a theatrical marvel written by A. W. Richardson, Esq., and skillfully
directed by Stephan Turner, unfolds its gripping narrative within the walls of the
AUA Language School Theater in Chiang Mai. The play's first act, set in the fiery
courtroom of Judge Cromwell (Bernie Miller), introduces a complex web of
characters and animosities that sets the stage for an enthralling evening.
The conflict between Prosecutor Brad Simmons, played with intensity by Wesley
Perkins, and the expertly portrayed defense attorney, Sarah Martin Davies
(Pamela Teves), creates an electric atmosphere in the courtroom. Judge Cromwell
attempts to maintain order amidst the brewing storm, showcasing the
intricate dynamics at play.
The stakes are undeniably high in HANGMAN, pivoting on the freedom of Mary
Beth, masterfully portrayed by Lisa Denmark. Accused of a brutal execution-style
slaying of her husband, Mary Beth becomes the central figure in this gripping
courtroom drama. On the witness stand, Mary Beth initially presents herself as a
meek and timid lady—speaking so softly it was difficult to discern what was said--
an impression that lingers throughout the courtroom. However, in moments of
intensity, subtle bursts of anger emerge, hinting at an unexplored and potentially
volatile side of her character.
The defense, led by Sarah Martin Davies, navigates the legal landscape with
finesse, using a "blame the victim" defense to counter the limitations imposed by
state law prohibiting a “Battered Wife” defense.
The second act unfolds in the jury room, a pressure cooker of conflicting opinions
and personalities. Oscar William Raven's masterful portrayal of juror Peter
Townsend adds a layer of tension, clashing with the formidable Jean (Alex
Oberheinrich). The dynamics among the jurors, skillfully led by foreman Mrs.
Robert “Aubry” Woodbine (Barbara A.K. Franklin), unfold with a blend of humor
and intensity.
Nami Bates' performance as Francine Laduke is particularly noteworthy,
seamlessly transitioning from a seemingly insignificant juror to a pivotal
character with a powerful revelation about her personal struggles. The
emotional depth portrayed by Ms. Bates is a testament to her acting prowess.
to cast their verdict. The entire cast, including standout performances by Wesley
In a bold twist, the play concludes without a jury decision, allowing the audience
to cast their verdict. The entire cast, including standout performances by Wesley
Perkins, Pamela Teves, Alex Oberheinrich, and Barbara A.K. Franklin, receives a
well-deserved standing ovation.
A special acknowledgment is reserved for Oscar William Raven, whose portrayal
of juror Peter Townsend reached the caliber of a Leonardo DiCaprio.
Raven's performance showcased his acting prowess and drew parallels with the
talent and charisma reminiscent of DiCaprio's younger days. It's a testament to
Raven's skill that his presence on stage left a memorable impact.
The collective excellence of these standout performances, combined with
the meticulous direction of Stephan Turner, underscores the richness of the
theatrical arts in Chiang Mai. The standing ovation was not just a mark of
appreciation but a genuine recognition of the exceptional talents that graced the
stage.
Director Stephan Turner's unseen contributions, from lighting to set
design, underscore his pivotal role in the success of HANGMAN. The
production is a testament to the wealth of talent within Chiang Mai's
English-speaking acting community.
In conclusion, HANGMAN is a theatrical masterpiece, leaving audiences with
a plethora of superlatives—outstanding, masterful, magnificent. The play
delivers an enjoyable evening at the theater, showcasing the remarkable talents
of the cast and the visionary direction of Stephan Turner. Chiang Mai is
fortunate to have such a gem in its vibrant arts scene.
"For Colored Girls"
A Review by Marie F. September 2023
THE RAINBOW GLITTERED AT THE GATE THEATER PERFORMANCE OF "FOR COLORED GIRLS..."
Last night seven women clad in colors of the rainbow shared their stories of joy and loss with the audience. A glittering arc of Black women’s experiences came to life as Ntozake Shange’s "For Colored Girls Who Have Considered Suicide/ When The Rainbow Is Enuf", was preformed for one night only in a series of poetic monologues, dance and music at The AUA Auditorium, brilliantly directed by Stephan Turner.
The cast featured: Nubian Speakin as The Lady in Brown, Claire Gordon as The Lady in Red, NuKola as The Lady in Blue, Sami Jo as The Lady in Yellow, Nella DeSanto playing Lady in Orange, Naudia S. Patterson as Lady in Purple and Sabrina Cates played Lady in Green. Each Lady hails from a different city, and each has a story that balances the joy they find through sing-song rhythms and dances with the pain that lies in wait for them around every corner. As much as the world disappoints these women, so do they cleave to each other and affirm themselves.
This unabashed cycle of truth-telling could certainly have made for a very depressing evening of theater. All the downtrodden tragedies could have veered into sob-story melodrama. But Turner and his excellent cast deftly brought the 90 minute, intermission free show to it's close with a rainbow of vibrant color and hope in what can often be a very bleak world.
There is only so much praise this (White) American "lady of a certain age" can heap onto this work without falling into Liberal back-patting this morning. But this production is unwavering in its honesty and perhaps the best Gate Theater production I've seen to date in the dozen or more years I've been an audience member. If you missed last night's performance I suggest you cross your fingers and hope The Gate Theater group decides to do an encore performance.. Or two or more. Because last night the sisters in that rainbow didn't just shine.. They glittered!
THE RAINBOW GLITTERED AT THE GATE THEATER PERFORMANCE OF "FOR COLORED GIRLS..."
Last night seven women clad in colors of the rainbow shared their stories of joy and loss with the audience. A glittering arc of Black women’s experiences came to life as Ntozake Shange’s "For Colored Girls Who Have Considered Suicide/ When The Rainbow Is Enuf", was preformed for one night only in a series of poetic monologues, dance and music at The AUA Auditorium, brilliantly directed by Stephan Turner.
The cast featured: Nubian Speakin as The Lady in Brown, Claire Gordon as The Lady in Red, NuKola as The Lady in Blue, Sami Jo as The Lady in Yellow, Nella DeSanto playing Lady in Orange, Naudia S. Patterson as Lady in Purple and Sabrina Cates played Lady in Green. Each Lady hails from a different city, and each has a story that balances the joy they find through sing-song rhythms and dances with the pain that lies in wait for them around every corner. As much as the world disappoints these women, so do they cleave to each other and affirm themselves.
This unabashed cycle of truth-telling could certainly have made for a very depressing evening of theater. All the downtrodden tragedies could have veered into sob-story melodrama. But Turner and his excellent cast deftly brought the 90 minute, intermission free show to it's close with a rainbow of vibrant color and hope in what can often be a very bleak world.
There is only so much praise this (White) American "lady of a certain age" can heap onto this work without falling into Liberal back-patting this morning. But this production is unwavering in its honesty and perhaps the best Gate Theater production I've seen to date in the dozen or more years I've been an audience member. If you missed last night's performance I suggest you cross your fingers and hope The Gate Theater group decides to do an encore performance.. Or two or more. Because last night the sisters in that rainbow didn't just shine.. They glittered!
Pirates of Chemotherapy
This dramatic comedy gives an intimate look at six women who share a diagnosis of breast cancer, all of whom are in various stages of treatment, recovery, and remission. They bond and band together in touching and often hilarious support of one another, pledging to live life to the fullest!
Read more about Pirates of Chemotherapy >>>
Read more about Pirates of Chemotherapy >>>
Starry Messenger
This play is a modern retelling of Galileo’s resistance and ultimate recantation to the Inquisition over his support of the Copernican theory of the earth’s rotation. Notions of science, faith, demons, madness and self-sacrifice are raised and overturned. As Cardinals Borgia and Zacchia negotiate with Galileo over his recantation, we are also afforded a look at the process of reconciling new science with the power structure, a struggle that continues even today.
Read more about Starry Messenger >>>
Read more about Starry Messenger >>>
Harvey
Elwood P. Dowd is an affable man who claims to have an unseen (and presumably imaginary) friend Harvey — whom Elwood describes as a six-foot, three-and-one-half-inch (192 cm) tall pooka resembling an anthropomorphic rabbit. Elwood introduces Harvey to everyone he meets. His social-climbing sister, Veta, increasingly finds his eccentric behavior embarrassing.
Read more about Harvey >>>
Read more about Harvey >>>
An Inspector Calls
Priestley’s play revolves around a central mystery, the death of a young woman, but whereas a traditional detective story involves the narrowing down of suspects from several to one, An Inspector Calls inverts this process as, one by one, nearly all the characters in the play are found to be guilty. In this way, Priestley makes his larger point that society is guilty of neglecting and abusing its most vulnerable members. A just society, he states through his mysterious Inspector, is one that respects and exercises social responsibility.
Read more about An Inspector Calls >>>
Read more about An Inspector Calls >>>
Almost Maine
Welcome to Almost, Maine, a place that’s so far north, it’s almost not in the United States. It’s almost in Canada. And it’s not quite a town, because its residents never got around to getting organized. So it almost doesn’t exist. One cold, clear, winter night, as the northern lights hover in the star-filled sky above, the residents of Almost, Maine, find themselves falling in and out of love in unexpected and hilarious ways. Knees are bruised. Hearts are broken. But the bruises heal, and the hearts mend—almost—in this delightful midwinter night’s dream.
Read more about Almost Maine >>>
Read more about Almost Maine >>>
The Amen Corner
After giving a fiery Sunday morning sermon, Margaret is confronted by the unexpected arrival of her long estranged husband, Luke, who collapses from illness shortly thereafter. Their son, David, along with several elders of the congregation, learn from Luke that, while Margaret had led everyone to believe that he had abandoned her with their son years ago, it was in fact Margaret who had left a dysfunctional Luke and pursued a religious life. This information precipitates confrontations between Margaret and her son, her congregation, and her estranged husband, regarding what they perceive as the hypocritical nature of her religious convictions, and the breakup of her family.
Read more about The Amen Corner > > >
Read more about The Amen Corner > > >
Big Hunk O' Burning Love
A Thai- American playwright, Mr. Prince Gomolvilas brings us into a romantic comedy about family curses, Thai brides and spontaneous human combustion. Big Hunk centers on Winston, a single Thai American who must beat a different biological clock--get married by age 30 (four days away!) or die by spontaneous combustion! As each day passes, Winston feels the pressure from his kooky parents, his acerbic best friend, his troubled ex-girlfriend and a teenage Thai mail order bride.
Read more about Big Hunk O' Burning Love > > >
Read more about Big Hunk O' Burning Love > > >
Into the Light
The Back Gate Group and The Gate Theater Group were delighted to present Into the Light: Focus on the Actor. This show consisted of carefully selected monologues, 10-minute plays and short scenes from full-length plays. The short play format has proved very popular with audiences. This form forces the playwright to get the story moving quickly and keep the dramatic action tight; it lets actors showcase their talent by playing multiple roles, and it allows theater-goers to enjoy a broad spectrum of genres in one sitting.
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A Comedy Showcase
Photography and poster by Kudos Studio
The show featured two of the one-act plays by David Ives' paradoxical comedy, All in the Timing. Michael Allman directed both of these acts, Sure Thing and The Universal Language. He was also the director for the scene from Shakespeare's The Taming of the Shrew. The fourth act was a scene from The Bald Soprano, which was Eugene Ionesco’s first play and will be directed by Neville Powis. A Comedy Showcase played from March 20-23, 2014 in the Little Little Theater.
Read more about A Comedy Showcase > > >
Read more about A Comedy Showcase > > >
Space
No props, no set, no costume changes. Just one man, his stage and his audience.
Read more about Space > > >
Read more about Space > > >
Land of Smiles
The musical written and composed by Erin Kamler, seeks to shed light on the “story” currently being told about human trafficking—a story used by advocates to reinforce ideas of Western superiority on the global stage and moralisms about sex work in the developing world. This story is rooted in ideas about intimacy, rights, and women’s proper role in society. It also grapples with notions of modernization and colonialism.
But most importantly, the story we tell about trafficking is our story. For it is our Western—indeed, American desire to rescue and prove ourselves “exceptional” on the world stage, that haunts us as a nation and a culture. I believe that unless we change these tropes, grapple with complexity, and embrace women in the developing world as our equals and our partners, the policies of the Western anti-trafficking movement will continue to fail.
Read more about Land of Smiles > > >
But most importantly, the story we tell about trafficking is our story. For it is our Western—indeed, American desire to rescue and prove ourselves “exceptional” on the world stage, that haunts us as a nation and a culture. I believe that unless we change these tropes, grapple with complexity, and embrace women in the developing world as our equals and our partners, the policies of the Western anti-trafficking movement will continue to fail.
Read more about Land of Smiles > > >
The Laramie Project
The Laramie Project is a play by Moises Kaufman and the members of the Tectonic Theater Project. On November 14, 1998, members of Tectonic Theater Project traveled to Laramie, Wyoming, and conducted interviews with the people of the town. The play is edited from those interviews, as well as from journal entries by members of the company. The play is about the town of Laramie, its citizens, and their reaction to Matthew Shepard’s murder.
Read more about The Laramie Project > > >
Read more about The Laramie Project > > >
The Dodo Bird
A thrilling, heartfelt stage drama by American Playwright Emanuel Fried, returns to Chiang Mai.
First produced in 1967, The Dodo Bird is an intense one act drama which explores what it means to live on the fringe of society, to be a man who failed to achieve the universal dream of being able to sustain himself and his family and ceased to live by the culture’s standards. The Dodo Bird represents those we often choose not to see; the guy with glazed eyes walking down the street talking to himself, carrying a bottle in a brown paper bag, maybe asking for change. All these Dodo Birds came from someplace, had parents once, maybe their own family, maybe a job.
Read more about The Dodo Bird > > >
First produced in 1967, The Dodo Bird is an intense one act drama which explores what it means to live on the fringe of society, to be a man who failed to achieve the universal dream of being able to sustain himself and his family and ceased to live by the culture’s standards. The Dodo Bird represents those we often choose not to see; the guy with glazed eyes walking down the street talking to himself, carrying a bottle in a brown paper bag, maybe asking for change. All these Dodo Birds came from someplace, had parents once, maybe their own family, maybe a job.
Read more about The Dodo Bird > > >
Blithe Spirit
Successful author Charles Condomine is writing a book and, wishing to gather material, holds a seance with his second wife Ruth , his friends Dr. & Mrs. Bradman and the eccentric medium Madame Arcarti. Problems arise when the ghost of Charles’ first wife Elvira appears after the seance. To make matters worse, only Charles (and the audience) can see or hear her!
As the play progresses, Elvira’s plans go awry and further chaos ensues, until the unlikely cause of all the problems is revealed. A scheming ghostly wife, a suspicious second wife, an incompetent medium, a comical but accident-prone maid and a jazz loving spirit guide all combine to produce an evening of fun for everybody, all presented by a talented multinational cast, with a script that has been gently updated to give it a more modern twist.
Read more about Blithe Spirit > > >
As the play progresses, Elvira’s plans go awry and further chaos ensues, until the unlikely cause of all the problems is revealed. A scheming ghostly wife, a suspicious second wife, an incompetent medium, a comical but accident-prone maid and a jazz loving spirit guide all combine to produce an evening of fun for everybody, all presented by a talented multinational cast, with a script that has been gently updated to give it a more modern twist.
Read more about Blithe Spirit > > >
The Gin Game
The Gin Game won the Pulitzer Prize for best drama in 1978 with over 500 performances on Broadway. It garnered four Tony Awards and has had productions in numerous countries around the world including France, Germany, Italy, Greece, Belgium, the Netherlands, Austria, Japan, South Africa, as well as Australia, and China.
The Gin Game is a two-person tragicomedy in two acts that touches on loneliness, family members who never visit, the way a lifetime looks to someone approaching the end of it, and on the bitter fact that in the US, where the play takes place, old people often have to spend everything they have, even selling their houses, in order to pay for the care they need - care that’s deeply resented, even when indispensable.
Read more about The Gin Game > > >
The Gin Game is a two-person tragicomedy in two acts that touches on loneliness, family members who never visit, the way a lifetime looks to someone approaching the end of it, and on the bitter fact that in the US, where the play takes place, old people often have to spend everything they have, even selling their houses, in order to pay for the care they need - care that’s deeply resented, even when indispensable.
Read more about The Gin Game > > >
The Eight Reindeer Monologues
Accusations, rumors and all-out attacks are flying fast and furious around Santa's toy shop this holiday season. What's the true story behind Rudolph's unlikely rise to fame? Does Mrs. Claus have a serious drinking problem? Can St. Nick himself really be guilty of sexual harassment... against one of the reindeer?
And with all this going on, how can the spirit of Christmas be saved? Go behind the tinsel and hear the truth about Santa straight from the eight reindeer who know him best. When a doe says "No," she means "No Way, Sucka!"
Read more about The Eight Reindeer Monologues > > >
And with all this going on, how can the spirit of Christmas be saved? Go behind the tinsel and hear the truth about Santa straight from the eight reindeer who know him best. When a doe says "No," she means "No Way, Sucka!"
Read more about The Eight Reindeer Monologues > > >
Strange Snow
Strange Snow falls on two young Vietnam veterans as they reunite for a fishing trip to make good on a long lost promise to an old friend. It's dawn on Opening Day and Megs shows up at his buddy David's house only to encounter David's shy, plain sister Martha. Megs' larger-than-life nature coaxes Martha out of her shell and into his heart. His mere presence, however, brings up painful memories of Vietnam for David, whose method of coping so far has been to drink too much and talk as little as possible.
Read more about Strange Snow > > >
Read more about Strange Snow > > >
The Odd Couple
Neil Simon’s box office hit, The Odd Couple, traces the lives of the infamously mismatched roommates: Felix Ungar, a neurotic fusspot news writer and Oscar Madison, a slovenly sports journalist. At his wife’s insistence, Felix is evicted from his home and abandoned on the doorstep of his childhood friend Oscar. Deep down, he knows she has every right to kick him out, but he still harbors the hope of someday returning to her once so loving arms.
As fate would have it Oscar likewise had been given the boot by Mrs. Madison requesting that he never return. Can two new bachelors share an apartment without driving each other insane?
Read more about The Odd Couple > > >
As fate would have it Oscar likewise had been given the boot by Mrs. Madison requesting that he never return. Can two new bachelors share an apartment without driving each other insane?
Read more about The Odd Couple > > >
Driving Miss Daisy
The Gate Theater Group, Chiang Mai’s English-language theater company, is pleased to be returning for another season of live theater this fall with its presentation of the modern comedy classic Driving Miss Daisy.
Winner of the Pulitzer Prize and Best Picture Academy Award, Alfred Uhry’s play has been performed the world over with renowned actors. This production by The Gate Theater Group is being directed by Irene Barrientos and stars Joyce Matchett in the leading role of Miss Daisy with Stephan Turner and Robert Young rounding out the cast.
Read more about Driving Miss Daisy > > >
Winner of the Pulitzer Prize and Best Picture Academy Award, Alfred Uhry’s play has been performed the world over with renowned actors. This production by The Gate Theater Group is being directed by Irene Barrientos and stars Joyce Matchett in the leading role of Miss Daisy with Stephan Turner and Robert Young rounding out the cast.
Read more about Driving Miss Daisy > > >
Three Takes
Three one act plays and an intense rendition of monologues:
"Sightings" by Brad Slaight
"High Tide" by Brad Slaight
"Easy Credit" by Sam Post
Read more about Three Takes > > >
"Sightings" by Brad Slaight
"High Tide" by Brad Slaight
"Easy Credit" by Sam Post
Read more about Three Takes > > >
